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Day 7: Be You

Be who you want to be, and ignore everyone else. Most of the time, people just won’t get it. But don’t give up.

In college, I doodled a lot. Like, A LOT a lot. So much so that I had enough of them to start a blog – Doodles & Things.

I listened better in class when I was doodling. That’s just how my brain functions. I started the blog to watch my doodles grow and improve over time, and over time I branched out to digital painting and illustration. Eventually, I moved from doodling to pay attention in class to really drawing for the sake of getting better. I had no real reason to want to improve my skill other than to be good at it. I guess that was just the artist in me trying to do its thing.

Growing up, I was brainwashed by my loving and concerned parents to believe that being an artist was a terrible choice to make. “Given all the opportunities you have, why would you choose to be an artist?” By “opportunities”, they meant money-making opportunities. Both of my parents grew up in poverty.

On May 5, 2010, I posted this doodle on my then blog:

doctor versus artist

Their ideas about artists weren’t far from the truth – artists can literally work their entire lives and never get paid, but that’s only a concern if money is the reason for making art. There are ways around that if you’re serious about the money, but since I just was just in love with the art, I thought that I would be poor if I became an artist. I was scared because I adopted my parents’ fears.

I was too scared to not go through with school (I studied Biochemistry with the intent of going to medical school), but I kept making art because I needed it to stay sane. I was fake-being an artist and just doodling whatever. But by posting them online, I created a dialogue with the rest of the world. Eventually, a woman who had been following my blog commissioned me for artwork. And still at that point, I hadn’t fully accepted myself as an artist.

The commissions and opportunities to gain wider audience kept coming, but still I was determined to become a doctor. Some people tried to be helpful by saying, “Why don’t you just do art? Why don’t you just be an artist?” I thought that by being an artist, I would have to give up school. I wanted to be a doctor for a number of compelling reasons, and giving that up would be a waste of opportunity and all the time that I had already put into that path. But still I kept making art, just to practice. I honestly thought that I would become a doctor before I would become an artist.

Reality check.

When I think of Picasso or Andy Warhol, I realize I took for granted the fact that their names are so well known. I deceived myself into thinking that in order to be an artist, I’d have to “make it” like they did. But I realize “making it” just means making it to the next step. Picasso and Warhol used to be where I was and where I am now!

As an artist, I’ve made it over and over again for the past three years. When you start a blog, your first reader comment is “making it”. When you draw a few comic strips and are able to tell people to check out your comics because they can expect more, that’s “making it”.  When you have followers who tell you that you’ve inspired them, that’s “making it”. And when you make enough artwork to have something to show at an exhibit, that is definitely “making it”.

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Whee! (In preparation for next month’s Comic Art Exhibit at the Baldwin Park Arts & Recreation Center in San Gabriel Valley, CA.)

Oh, the irony. I am an artist, but not yet a doctor. (Although, I will be in three more years. A doctor of smiles!) Looking back, I realize I didn’t have to stress out so much about choosing one over the other. I was already doing the work I needed to be both; I just couldn’t see where I was being led. Now I’m doing both! Just not in the order I imagined. When I expressed my concerns about not being clear, people took it upon themselves to try to fix my life for me.

But I didn’t need it to be fixed. I just needed to be me and believe in myself.

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Day 6: Evolution of a Painting

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This was one of the most emotionally involved pieces that I worked on over the past few months. I’m titling it “Arise” and it will be part of a collection of paintings I plan to exhibit.

It started out as blank canvas.

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I glopped on some black paint and let gravity do its thing.

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A lot of splattering was involved.

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Then came the sketch.

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Her head was too big, so I decided to start over and clothe her with a magazine clipping of a dress.

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During the process, I went through a rough emotional patch. My paintings are usually reflective of my emotions, and the fact that I was displaying dejection prevented me from completing it.

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So I put it on hold while I moved my workstation to a new part of the house.

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I needed inspiration.

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And then, I realized that I was arising out of a difficult situation.

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And so too did the girl in my painting.

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I gave her blue cheeks to balance out the fieriness. All of my other girls in paintings have red cheeks, but this one is different.

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This girl is on fire.

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Day 5: Random

In high school, I was awarded “Most Random”. I didn’t get it then, but I’ve become more aware of the reactions that I get from other people when I do things that seem totally normal to me.

For example:

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I thought it would be fun to paint something. Anything. One fateful day, that object happened to be my laptop.

People’s reactions:

  • Weren’t you scared of ruining it?
  • Did you do that?
  • Is that real? Is that really paint?
  • How did you do that?
  • I can’t believe you did that.
  • That’s so cool!

Yes, it’s really paint. The white is spray paint, the gunk underneath is from leftover stickers, and the neon pink is acrylic paint that I squeezed onto and let drip down the top right. Gravity, baby!

People also think there’s some sort of significance to the snake on the apple. Really, it was just happenstance. I really am just that random.

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Day 4: The Life

Some days, my life is like:

: today i spend 2 hours doing art research
: which consisted of reading artists’ bios (dead and alive) and watching ted talks
: lol!
: i just made myself a mug of instant decaf coffee
: and im waiting for some paint to dry
: and figuring out how to mix/make this one color i have in my head
: i haven’t figured it out
: anyway
: life is good right now

That’s the Life right there. Except, I wonder why I don’t have regular coffee. And not all of my days are like that. Those are just the days that I live for. Sheer happiness.

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Day 3: Irony

When I’m painting or drawing, I usually have a reference photo or object. I need something to look at every once in a while in order to anchor my perception. Lately, I’ve been working on a series of paintings that portray women in ethereal states amidst chaotic surroundings.

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Sometimes, the paintings paint themselves. Other times, the paintings are more difficult to complete. How I wish that the images in my head would appear on canvas as I simply wield my paintbrush with gentle ease.

That rarely – rarely – happens.

Multiple reference photos are required for difficult images. I look for body poses, expressions, and angles of the face in my references. They come from Google images, my friends’ Facebook photos, or any other body language that I pick up in public while people-watching. (If it weren’t for my art, my creepiness would have no purpose.)

References are great when they do their job. Most of the time, I am not so lucky. The image I want to represent is such a complex amalgamation of experiences and emotion that no combination of existing photos can remotely capture it for me. I try to mix and match my references, paint, whitewash, repaint, and repeat. I use my hands to paint because I think my paintbrush is the problem. I scrap my references and start all over again. And sometimes, the process gets so frustrating, that I end up taking photos of myself to use as a reference.

I take a lot of weird photos of myself for this reason. Seen out of context, they would reveal me as a total nutcase.

I am duped into thinking that the more emotionally complicated a piece of artwork, the more references I need. The irony is, I search and blend and mush my references – go through a whole lengthy process – only to find what I was looking for was not only right in front of me, but within me, all along. Only when I finally give in and use myself as a reference am I able to get the positioning of my figures just right. No matter how much I try to incorporate different elements, what ultimately feels right in what I portray is a simple reflection of me. And yet, time and time again, it requires a complicated process for me to realize just how uncomplicated my painting needs to be.

Life is ironic like that. Without the irony, we wouldn’t understand. Without the complexity, we wouldn’t simplify. And when it comes to art, without first the outer references, my paintings wouldn’t truly be a reflection of me.